Title: Exploring the World of Architectural Design: Navigating the Language of Photography Equipment in English

As a dedicated building designer, the realm of architectural photography is not just about capturing the aesthetics of structures but also understanding the technical terminology that speaks to the tools of the trade. In today's digital age, proficiency in English, the lingua franca of the industry, is crucial for staying up-to-date with the latest camera equipment and techniques.

The camera itself, or "camera device" as it would be referred to in English, is a fundamental piece. It's typically pronounced as "kuh-muh-nyay da-vih-ik," emphasizing the individual letters and the stress on the last syllable. A DSLR (Digital Single-Lens Reflex) camera, which is a staple in architectural photography, is "dee-zel-uh-lenz roh-fleks," with each word enunciated clearly. A mirrorless camera, known for its compact size and high image quality, would be "mir-uh-less kuh-ney-kahl."

Lenses, those optical components that focus light onto the sensor, are a vital aspect. A 50mm lens, often used for general-purpose work, would be "fifty-mehm ell-ens." A wide-angle lens for capturing expansive spaces might be "waid-ang-yleh lens," while a telephoto lens for distant shots is "tel-uh-oh-foh lens."

Filters, which can alter the color or effect of the light, are read as "fi-lurz." A polarizing filter for reducing glare or enhancing colors would be "pol-eh-rih-tuhz." A neutral density filter, used to control exposure, would be "neu-truh-nye-densh-ee fil-tr."

Tripods, essential for stabilizing shots, are "tri-ppy-odz." A ball head, allowing for smooth pans and tilts, would be "ball heds." A monopod, a single-legged support, would be "mon-oh-pod."

Batteries and memory cards, the lifeblood of any camera, are "bay-tuh-ryyz" and "meem-er-kahrd," respectively. Camera bags or cases, to protect your gear, would be "kuh-muh-ner-biz" or "ka-mee-bi-guhz."

Lastly, lighting is the backbone of architecture photography. A softbox, a device that diffuses light, would be "soft-box," while a speedlight, a portable flash, would be "speed-light."

In essence, as a building designer, one must not only understand the design concepts but also the language of photography equipment to effectively communicate and execute visually stunning images that document the built environment. This linguistic mastery is an integral part of the architectural dialogue.